
A new year does not set a deadline for choosing a memorial.

You can save a memorial idea without deciding to commission it.

A painted proof gives us something specific to look at together.
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A nickname is a complete inscription if that is what you want to see.

For a custom pet urn, start with a clear face and one detail you want me to notice.
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If a friend is missing their pet this Christmas, give them a question they can answer.
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The Christmas photo of your cat might be welcome one day and difficult the next.
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Your first Christmas without your dog can involve choices you never expected to make.
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If Thanksgiving feels different without your dog, make one small plan before the day.
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Halloween without your cat can bring a few unexpected decisions.
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The small details are only part of the commission.

“Tam communicated with me in detail throughout the process of making the urn.”

Gold looks different away from the studio lights.

A finished sleeping cat, seen through a customer's photograph.

The photograph after arrival shows another side of the work.

The proof is a chance to ask a better question.
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Look at the shape as well as the colour in a painted proof.
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A painted proof is not a photograph of the final finish.
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That white blaze is a useful starting point.
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A green vessel does not have to mean a green portrait.
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Start with the view that shows their face clearly.
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A black coat and a bright motif can share the same portrait.
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The forehead pattern gives this calico face its structure.
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A small dark ear tip can matter.
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A rabbit reference needs the ears in view.
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A favourite seasonal photograph can still be a useful reference.
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The photograph and the finished piece need different kinds of looking.
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A pillow form gives the little portrait its own place.
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The curve comes first in this sleeping cat portrait.
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You can separate the portrait from the colour of the jar.
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The portrait comes before the blue flowers.
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I am looking at the coat, not copying the whole photograph.
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A casual photograph can hold useful portrait details.
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The muzzle needs to read at a much smaller scale.
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A resting pose can be a useful reference.
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Choosing a simple portrait is still choosing something personal.

The tail is part of a sleeping portrait.

Small flowers and large flowers do different things.

A small jar can keep the choices simple.

There does not have to be a flower or a symbol.

A calico face can work without open eyes.

Lop ears change the whole outline.

A larger name changes the balance of a portrait.

The flowers need to work with the chest marking.

A small figure leaves room for a different story on the jar.

For a dog portrait, look at the muzzle and ears together.

A long haired portrait needs an outline as well as colour.

The smaller patches still deserve a place.

A sleeping portrait is more than closed eyes.
