
Before sending a collage of inspiration
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The order of decisions for a ceramic memorial
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A new year without a deadline for remembering

A name is enough if a message will not come
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Three notes before asking about a custom piece
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A holiday sentence you can send to a friend

Halloween without the costume photograph

Thanksgiving: let them know before dinner

First Christmas without your cat: photographs

First Christmas without your dog: the stocking

Helping someone choose a memorial

Keep portrait and decoration references separate
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When a photograph makes a coat look different
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Check capacity before deciding the finish

Choose a form before choosing every flower
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Name lettering before decoration
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Words for asking about a small marking
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What to check in a painted proof
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A favourite photograph is not always a complete reference
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Three photos to start a pet portrait
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You can begin with a vessel rather than a portrait.
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A name can sit quietly below closed eyes.

A tabby chest does not need to be made symmetrical.
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Several flower colours can still leave the face clear.

An inscription can have a place between the face and dates.

Two colours can give a jar its structure.

A small figure still has a clear silhouette.

A reflection is not another marking.

A few face patches can be enough.

Subtle lettering needs a closer look.

A dark coat can carry a warm gold accent.

A small heart and a broad gold band have different roles.

One branch can bring colour without filling the piece.

A broad white chest gives the coat a particular outline.

A sweeping line can connect separate motifs.

The portrait and the painted toys have separate places.
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A bold painted pattern does not need delicate lines.

A small pale chest leaves a different space for gold.

A tortoiseshell coat needs different sized patches.

A bright floral piece can still keep the portrait first.

The pale chest is not quite symmetrical.

A small figure changes a simple jar's outline.

A fuller flower design still needs a clear face.

That white blaze changes the whole face.

Gentle colour does not have to mean no detail.

A short inscription can sit between portrait and decoration.

The same colour needs different marks around the face.

Colour can transform a familiar form.

A branch can be the whole decorative idea.
